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Painting for MALT - Magic can sometimes happen

by Richard Lindenberg on 4/29/2010 10:37:54 AM
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Corda Ibleto Barn
MALT's "Ranches & Rolling Hills" Art Show is unique to the world of Art Fundraisers. As one of the family of artists who participate each year, it's an honor to be associated. I spend an enormous amount of time and energy focused on producing thematic work of the highest quality. As a by-product of this focus and dedication... sometimes the alchemy of challenges contribute to the magic of a special creation that prompts me to say to myself, "How did I do that".

I'm not sure everyone can grasp what I mean by this surprise, but I'll try to explain. As an artist, we put ourselves out there with our best work for the public to view and encounter all sorts of challenges along the way. We stand in muddy pastures, often get rained out, drive on roads that can split a drive shaft in half, log countless hours scouring the countryside, visit some smelly ranches and some pristine ones too, then either paint on-site or in the studio to hopefully complete a set of unique work for the show. The process makes you grounded to the earth that we are looking to paint and exposes you to beauty that can put a tear in your eye. The main challenge for an artist like myself is to communicate this beauty to someone else who wasn't there. As I said before, the magic sometimes happens.

Come to the Druid's Hall in Nicasio on May 15 and 16th to see the work of more than 40 artists who have all worked hard to bring this unique show to you once again. For more information go to: MALT INFO

  

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CAC Artists Paint Land Conservancy of San Luis Obispo Sites

by Richard Lindenberg on 4/26/2010 10:12:55 AM
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"Mustard Fields"
As part of their 100 year Centenial Celebration... The California Art Club joined with the Land Conservancy of San Luis Obispo by inviting Artist members to capture the stunning landscapes of San Luis Obispo County featuring ecological preserves and privately-owned conservation properties that the Land Conservancy has played a role in protecting.

It took place during the week of April 18-23, 2010. The first day at Dana Adobe was 70 degrees and beautiful. Elaine and Peter Adams joined the others as we painted the Mustard covered hills and surrounding trees. Christin and I had not met many of the Southern California painters before, so it was nice to sit in the shade and lunch on the site while we painted.

Predictions of foul weather came true for the next few days so only the brave actually painted on Tuesday with very high winds. On Wednesday we drove down to Nipomo and were escorted to the Black Lake Ecological area. Surrounded by sand dunes to the west, it had an enormous eucalyptus circle grove with an adjacent lake. First it rained while we hiked with our gear, then the winds picked up and reached 40 mph gusts. Not the most ideal conditions for painting, but an experience only an outdoor painter would appreciate.

Rain and clouds once again on Thursday morning at the Octagon Barn, so Marcia Burtt invited some of us back to her ranch east of Nipomo. Four miles off the highway, their property sits on a sprawling california grazing plateau nestled between shale cliffs and rolling hills covered in oaks. Still raining, I painted under the buildings protected carport while others used the southern patio to face the valley vista. Beautifully tended native gardens surrounded her home and color was everywhere. What a nice woman.

There will be a show of the paintings at the CAC Old Mill Gallery in San Marino from October thru December and then a show in January 2011 at the San Luis Obispo Art Center (Museum).


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Winters Plein Air - A Day at Terra Firma Farm

by Richard Lindenberg on 4/2/2010 7:40:19 PM
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Terra Firma Fields - Oil - 9'x12"
Thursday April 1st turned out to be an unexpectedly joyful painting day. Shaunie had arranged for a group of us to paint at Terra Firma Farm,  a sprawling arrangement of organic fields,, orchards and buildings.  After a brief tour of the acreage, we parked up at the old farmhouse with a few out-buildings. There were six of us who set up our easels on a bluff overlooking a patchwork of softly colored fields that were plowed in angular patterns of color.  Some painted the fields, others the eucalyptus groves and barns.  The sun came out mid-day and it felt great after a cloudy morning.  I painted the fields and later the pond with some meandering Eucs.  Another day in paradise.




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